Netflix series 'The Apothecary Diaries' has recorded global box office success and unveiled unreleased stills just three days after its release.
'The Apothecary Diaries' tells the story of Gu Cheon (played by Nam Joo-hyuk), who has the ability to traverse the world of ghosts, and Saengang (played by Noh Yoon-seo), a court lady with secrets, who are summoned by the King (played by Cho Seung-woo) to unravel a curse. The series recorded 4.9 million views in just three days of release and ranked 2nd on the global TOP 10 non-English shows. It proved its popularity by entering the TOP 10 in a total of 27 countries, including ranking 1st domestically, as well as in Hong Kong, Thailand, and India.
'The Apothecary Diaries' received favorable reviews from international media for its unique concept and development. Praise followed for its mystery, visual beauty, and solid worldbuilding, while positive evaluations continued regarding Noh Yoon-seo's delicate acting, creative visual effects, and overwhelming spectacle. Both domestic and international viewers also expressed high satisfaction with the compelling story, distinctive atmosphere, and Cho Seung-woo's acting prowess.
The unreleased stills released together capture the moments of plot twists in the story. The process of Gu Cheon and Saengang approaching the truth and changing, as well as the King's complex inner world expressed in a multi-dimensional manner, capture viewers' attention.
Additionally, Kwak Dong-yeon, who left a strong impact in the role of the Crown Prince's ghost, and Jang Young-nam, who anchored the story, are receiving praise for their passionate performances. As the crossover action between Nam Joo-hyuk and Kwak Dong-yeon and the face-to-face scenes between Cho Seung-woo and Kwak Dong-yeon draw attention, Korean production elements such as the palace's intimidating art direction, costumes, and music have also elevated the completeness of the series.
'The Apothecary Diaries', which is driving global box office success, is available to watch on Netflix.
